Ryan Beyer
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There's Blood in the Water
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Post by Ryan Beyer on Sept 9, 2006 18:34:28 GMT -5
Event: Saturday Night's Main EventDate: 9/09/06Live From: Seattle, Washington Tonight's Show was written entirely by Ryan Beyer, with assistance from Shawn Michaels on Kurt Angle vs. Chris JerichoThe distant riff of Alter Bridge’s “Watch Your Words” begins playing, and when the guitar finally comes to the front, the Saturday Night’s Main Event logo rushes forward like a train, the video montage beginning. The main eventers of SNME are all shown, until finally, the videos close out with Shawn Michaels and Paul Heyman, then the logo again. The camera begins showing the sold-out crowd in Seattle. Finally, the familiar voices of Joey Styles and Austin Owens begin speaking over the screaming crowd.
Joey Styles: “Welcome, everyone, to another great night of Saturday Night’s Main Event! We’re here in Seattle, Washington with this packed crowd, and I tell you, this is one of the loudest crowds I’ve ever heard!”
Austin Owens: “This crowd is almost deafening Styles, I can’t imagine what it’ll be like when the action starts!”
Joey Styles: “We’ve got Van Dam going against Mike Mizanin, Mike’s first match here in SNME, sure to be a high energy match.”
Austin Owens: “We’ll be announcing the choices for the theme for our next pay-per-view, the Last Stop tonight.”
Joey Styles: “Ken Kennedy gets his rematch against the Roy tonight, and you know Kennedy is looking for revenge!”
Austin Owens: “Angle and Jericho face off in a submission match, and if they can walk out in one piece it’d be amazing.”
Joey Styles: “And then there’s our main event, for the number one contender of our World Heavyweight Championship at the Last Stop against Sting.”
Austin Owens: “Well, The Miz is in the ring, and here comes Rob Van Dam, he’s on his way!”[/center]
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Ryan Beyer
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There's Blood in the Water
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Post by Ryan Beyer on Sept 9, 2006 18:35:36 GMT -5
Mike Mizanin is waiting in the ring for his opponent, having entered during the introduction of the show.
The music quickly changes to Van Dam’s “One of a Kind,” an immediate blast leaving a doorway of smoke for Van Dam to enter through. Rob Van Dam emerges from backstage, raising his hands into the air and spinning slowly. Rob turns and faces Mike Mizanin, stopping halfway down the ramp, pointing to his opponent. Van Dam sprints towards the ring, sliding in, and immediately turning to the turnbuckle, tricking Mike, who was ready for an attack.
[glow=red,2,300]Singles Match[/glow] -VS- Rob Van Dam -VS- Mike Mizanin
The music settles and the bell rings, the two men ready to square off. Mizanin steps toward Van Dam, but Rob sidesteps him, like a matador. Finally, after the two men circle each other some more, they grapple up in the center of the ring, Van Dam very easily pushing the new Mizanin into the ropes, where the referee breaks them apart. The meet in the ring’s center, Rob Van Dam throwing the match’s first punch. The Miz strikes back quickly, and a fist fight ensues.
Van Dam has one of his punches ducked the Miz getting behind him and wrapping his arms around Rob’s waist. Rob gets up immediately, charging Mike. Mizanin is hit by a clothesline, knocked down, but quickly stands back up. The two face each other, then grapple, Mike pushing the smaller Rob into the corner. The Miz slaps Van Dam on the chest, then gives him an elbow to the stomach. Pushing Rob back up, Mike repeats the routine, then grabbing Mr. Pay-Per-View by the head and throwing him into the post, smashing his shoulder into solid steel.
Mizanin pushes his opponent out of the ring, following closely. Mizanin kicks Rob in the back, then picks him up, whipping him into the corner barrier. Rob reverses the whip, sending Mizanin up and over the barrier. Rob pulls Mike up from the other side, smashing his head into the barrier, then flipping him over. Rob picks Mizanin up, tossing him into the ring per order of the referee. Mike slowly rises, finding Rob’s boot in his side. Both men are fighting their hearts out.
Mike is lifted to his feet, then, in a burst of energy, gives Van Dam a hard punch, then another, pushing him to the ropes. Van Dam is whipped across the ring, and finds himself launched over Mike’s back on his return trip. Mike falls to the ground, rolling out of the ring, ready to grab a breather. Rob slowly gets up as Mike slides back into the ring, and Rob uses his reflexes to jump quickly, clotheslining Mizanin. Rob Van Dam gets up quickly, then lifts Mike to his feet, slinging him over his shoulder and dropping him with a spinebuster.
Mike screams in pain, as Van Dam slowly ascends the turnbuckle. Van Dam and Mike are both exhausted from this match, as Rob calls for the Five Star Frog Splash. Pointing to himself three times with his thumbs, Van Dam leaps into the air, pulling his body together, then back to it’s full length as he lands on top of The Miz. Van Dam pulls Mike’s leg up, the referee counting, one. . . two. . . three.
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Ryan Beyer
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There's Blood in the Water
Posts: 314
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Post by Ryan Beyer on Sept 9, 2006 18:36:05 GMT -5
The camera cuts backstage after the match to a locker room. Randy Orton is seen standing in his locker room, just arriving. He turns when he hears his door open, accompanied by heavy breathing from two men. Shawn Michaels and Triple H stand before him, both looking angry. The have their former friend trapped in a way, but everyone watching knows that if they are smart, they won’t hurt him. Triple H begins talking very slowly, with a little more than an air of anger to his voice. [/b] Triple H: “Randy, you’ve been a pain in my ass forever. You’ve cheated me out of so much, you’re lucky I don’t beat you where you stand. But I’ll save that for later tonight. For now, I just wanted to warn you, if you get in my way of facing Sting at the Last Stop, I have no problem ending your career.”
Randy Orton: “Aww, come on Trips, can’t we all just get along? I mean come on, you guys are the old, I am the new. If you two were smart, you’d walk out there and announce your retirement now before I put you both in comas.”
Shawn Michaels: “Hey asshole, don’t get smart with me. I know you’ve been behind it. My car, my house, . . . the figure last week. I might not know how you did it, but I know it was you. Good try, leading me on as if it was. . . him. And pushing me off the stage, real classy.”
Randy Orton: “Hey, I might have knocked you off of the stage but I had nothing to do with any of that other stuff. You can’t blame me for your personal demons.”
Triple H: “Don’t give us that shit, admit it, you were behind it all, every single act.”
Randy Orton: “Please, you both know I’m a wrestler, not a magician. Quit kidding yourself Shawn, you know he’s coming for you.
Shawn Michaels: “Shut up, you stupid son of a bitch!”[/I] Shawn Michaels pushes Orton into the lockers, screaming at him, although Orton is not phased.[/b] Triple H: “Come on, Shawn, let’s get out of here.”Shawn Michaels and Triple H walk away as the camera shows Randy Orton shaking his head.[/color] [/center]
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Ryan Beyer
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There's Blood in the Water
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Post by Ryan Beyer on Sept 9, 2006 18:36:25 GMT -5
John Cena’s own hip-hop song, “My Time Is Now,” plays as his introduction, as he steps out into the arena, a chain around his neck and a trucker hat on his head. He throws up one fist, bouncing to the beat of his creation. Cena removes the chain from his neck, holding it into the air, slowly walking down to the ring. He points out a few of his infamous chain gang members, then rolls into the ring, heading over to the corner while removing his accessories. He props himself up in the corner, raising his hands to the air.
The sound of fingers banging away on carpal tunnel’s best friend, Mr. Qwerty, reverberates through the arena in a percussive manner, finally leading to Monster Magnet’s “Live for the Moment.” Matt Hardy comes slowly out into the arena, strutting in what appears to be black and white. He puts the V1 symbol in the air, the crowd giving a slight cheer for that. He slides into the ring, standing on the middle rope, and again, holding his Version 1 signal in the air. Cena takes advantage of his position and grabs him around his stomach, German suplexing him.[glow=red,2,300] Singles Match[/glow] -VS- Matt Hardy -VS- John CenaCena has held on to Hardy, bringing both of them back up and hitting another German suplex. This time, Cena lets go, getting up slowly as Hardy recovers. Hardy is up slightly after Cena, who has truly taken his time. Hardy sees Cena approaching him, and jumps, giving John a dropkick. He is not knocked down, but Hardy clotheslines him, making sure his opponent falls. John gets up quickly, finally snapping into a business mode. Hardy runs at Cena, who gives him a drop toe hold.
Cena gets up quickly, as well as Hardy, who takes a swing at his opponent, connecting more than once, and backing him into the corner. Hardy steps backwards, to the other corner, then runs forward, clotheslining Cena in the corner. Cena drops to his knees but does not fully fall. Hardy picks him up and twists his arm into a hammerlock, then reaching around John’s waist, setting him up for his own German suplex. Cena flies backwards, landing on his back.
Matt pulls John Cena up, giving him an irish whip towards the corner, but Cena reverses it, sending Hardy into the corner. he finds John Cena jumping after him, giving him a full body splash. Hardy stumbles forward, and is cut down by a dropkick. Cena seems very energetic, ready to take on Hardy. Matt stands up, and tries to clothesline Cena. John ducks, then blocks a hard punch, wringing the arm used to punch. Cena twists hard, then applies his own hammerlock. Putting his foot in front of Hardy, Cena pushes him forward, and he falls into the ropes. Cena steps out onto the apron, and gives Hardy an elbow to the back of the head.
It seems that this match is one where when one contender hits one move, the other, later attempts the same move. It is now a battle of wits. Cena slides back into the ring, and drags Hardy, who is laying on his back to the center. Cena runs to the ropes, dancing back to his opponent, dropping his fist in the Five-Knuckle Shuffle as Hardy moves. Hardy gets up, running to the ropes as Cena holds his hand.
Matt Hardy runs at Cena, but Cena lifts him atop his shoulders, slowly turning, showing his offering to the crowd. Cena throws Matt’s lower body over his head, giving him the F-U. Cena falls onto his opponent, pinning him, one. . . two. . . three. As Cena wins, and the referee gives the final count, the lights fall completely. When they come back up, Paul Heyman’s henchman in found with Cena by the throat. He lifts him into the air too easily, dropping him in a chokeslam. Mason Paine then lifts Hardy, flipping him up easily, powerbombing him.
As the carnage ensues, Paine has thrown both into the corner, charging at them. He runs directly into them like a train. Soon, Rob Van Dam comes sprinting down, giving Paine a heel kick. This does not effect Mason Paine in the least. Paine soon slams Van Dam into the mat, as Paul Heyman comes to give his henchman congratulations. [/b] Paul Heyman: “Mason Paine, you’ve done a very good job. Let this be a lesson to everyone. Mason Paine rules the ring!”[/I] Paul Heyman laughs as Mason stands over Rob Van Dam, and the show fades to a commercial.
A commercial for Sonic airs, another conversation between two people in a car that is supposed to be comical, but is not.
A string of commercials for endorsees of SNME play, finally wrapped up by a few political ads. The last one has a message after it that reads “SNME’s Teach Rednecks to Vote Campaign 2006.”[/b] [/center]
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Ryan Beyer
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There's Blood in the Water
Posts: 314
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Post by Ryan Beyer on Sept 9, 2006 18:38:00 GMT -5
The show returns, focusing on the announcers. [/b]
Joey Styles: “Ladies and gentlemen, we’re here to present you with your choices for the theme song of our next pay-per-view, coming at you live on September 23rd, The Last Stop!”
Austin Owens: “That’s right, your first choice will be “Dangerous Game” by Three Doors Down.”
Joey Styles: “Next is “Metalingus,” by Alter Bridge.”
Austin Owens: “And the final one is the Dave Matthews Band’s “The Last Stop.”
Joey Styles: “Voting will open directly after the show, so be ready!
Austin Owens: “And now, the Roy will defend his title again against Ken Kennedy!”[/I] The common production theme of Ken Kennedy begins playing as he slowly walks down to the ring, the old-school microphone slowly lowering from the ceiling. He slides into to intercept it, and begins his introduction.
Ken Kennedy: “This contest is scheduled for one-fall, and is a four-way, over-the-top challenge! I weigh in tonight at an astonishing 243 pounds! I hail from Green Bay, Wisconsin. I am, Mister Ken. . . Kennedy!”
Kennedy barely finishes his introduction before he is attacked from behind again by the Roy.[glow=red,2,300]Custom Championship Match[/glow]-VS- The Roy(C) -VS- Ken KennedyThe same trick as last week, the Roy again begins the match cheating. The Roy circles around Ken, seeming ready to leap onto his prey. Ken Kennedy waits for the inevitable, then suddenly throws a punch. The Roy ducks it, using Kennedy’s momentum to trip him with a drop toe hold. Each man quickly arises, The Roy with a smirk on his face. Ken Kennedy accosts him, a grapple that ends with The Roy being forced into the corner. The Roy ducks before Ken Kennedy even throws a punch, but finds a knee in his stomach.
Ken Kennedy takes advantage of the opening, throwing Roy back into the corner, then taking a few hard swings, all of which could have possibly knocked The Roy’s teeth out. Ken Kennedy brings him to the middle of the ropes, and whips him across the ring. The Roy baseball slides under Ken Kennedy’s jumping knee, exploding with a hard dropkick to Ken’s back. Ken Kennedy gets up slowly, obviously recreating his plan of attack. He looks at The Roy, then charges him. This time, when Ken Kennedy jumps and Roy falls, Kennedy lands on The Roy with an elbow drop, knocking the wind out of his opponent. Each man gets up slowly, finding that they will have to return to their roots to win this match. Ken Kennedy gives a hard clothesline to The Roy, then rolls him onto his back. Lifting The Roy to his knees, Ken Kennedy locks in a sleeper hold, the eyes of the Custom Champion becoming glassy and dull. Ken Kennedy drags his carcass to the ground, but The Roy begins to rebel. After getting to his feet, The Roy gives a few elbows to the gut, then runs to the ropes. He springs off of the second rope, turning backwards and hitting a cross-body drop.
Ken Kennedy is startled by the moves of The Roy. They are quick and well thought out. Upon his return to a vertical base, Ken Kennedy sees The Roy charging him. Kennedy turns as to catch The Roy, then slams him down in a sidewalk slam. Ken drags his opponent up by the arm, then twists his arm and pulls it behind his back, in a hammer lock. From there, Ken Kennedy lifts The Roy and drops him with a back-body drop. The match has gone from power to speed in a matter of minutes.
Kennedy lifts the Roy, and whips him into the corner. He puts the Roy on his shoulders as if going for a Death Valley Driver, but instead climbs to the second rope. He jumps forward, flipping with the Roy, giving him the Green Bay Plunge. When Kennedy and The Roy land, Ken immediately goes for a pin, one. . .two. . .three. Ken Kennedy is now the new Custom Champion.
[/b][/center]
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Ryan Beyer
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There's Blood in the Water
Posts: 314
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Post by Ryan Beyer on Sept 9, 2006 18:39:41 GMT -5
A familiar drum beat echoes through the arena, the opening of Shawn Michaels’ “Sexy Boy” playing. He steps out from behind the curtain in blue jeans and a black DX shirt. He is not showboating, and only carries a microphone. He climbs the stairs and steps into the ring, looking nervous as well as angry. [/b] Shawn Michaels: “Alright, listen up. Everybody. As you all know, someone has been screwing with me. Blowing up my car, burning down my house, and falling through the stage, as fire erupted from it. And all the while all this shit about “Don’t Drink the Water.” I refuse to believe that he’s back. I know he isn’t. I’m giving whoever has been doing this one chance to admit it.
. . . Come on, I‘m not waiting.
. . . If whoever has been doing this doesn’t get out here now, I’ll find out, and fire your ass.
. . . God Da -”[/I] The lights fall to a red hue as the Dave Matthews Band’s “Don’t Drink the Water” begins playing, cutting Shawn Michaels off. The lights illuminate the entranceway, but nothing is seen. The music continues, Shawn circling around to see where the haunter will come from.Come out, come out, no use in hiding. Come out, come out, can you not see There’s no place here, what were you expecting? No room for both, just room for me. Say you will lay your arms down, Yes, I will call this home. Away, away, you have been banished. Your land is gone, and given to me. And here I will spread my wings. Yes, I will call this home. What’s this you say, you feel a right to remain? Then stay and I will bury you. What’s that you say, your fathers spirit still lives in this place? Well, I will silence you. Here’s the hitch, your horse is leaving. Don’t miss your boat, its leaving now. And as you go I will spread my wings. Yes, I will call this home. I have no time to justify to you, Fool, you’re blind, move aside for me. All I can say to you my new neighbor, You must move on or I will bury you. Now as I rest my feet by this fire Those hands once warmed here, but I have retired them. I can breathe my own air and I can sleep more soundly Upon these poor souls, I’ll build heaven and call it home, Cause you’re all dead now. I live with my justice And I live with my greedy need I live with no mercy And I live with my frenzied feeding I live with my hatred And I live with my jealousy I live with the notion that I don’t need anyone but me Don’t drink the water Don’t drink the water There's blood in the water Don’t drink the water The song is cut off by a loud scream from a man, and the lights cutting off, other than a bright light coming from the entranceway. The same figure again is seen in the light, but there is no way of telling who it is.[/b][/color] Figure: “Shawn, you should’ve known that cheating to bury me was a bad idea.”[/I] The voice is raspy and worn, but familiar.Figure: “Don’t you know, I’m the only magician on this boat Michaels. And I’m here for my revenge. I have no time to justify to you, fool, you’re blind! Move aside from me!”[/I] Shawn is amazed, his worst nightmare has come true.Figure: “Shawn, you and I. . . The Last Stop. I’ll have my revenge. One last match at the Last Stop.”Fire surrounds the figure as the lights come up, and when the fire clears, the figure is gone, but everyone at this point knows who it is. Shawn is visibly shaken, and he passes out in the ring, as the show cuts to commercial.[/center]
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Ryan Beyer
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There's Blood in the Water
Posts: 314
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Post by Ryan Beyer on Sept 9, 2006 18:40:26 GMT -5
"Medal" blasts through the arena's speakers as Kurt Angle makes his way to the ring. He poses in the middle of the ramp, and his pyro explodes all around him. The fans chant "You Suck" to the beat of Angle's music while the Olympian walks down the ramp. He slides under the ropes, and into the ring. He poses once again, and gives his gold medals to the time keeper. Angle stands by the ropes, tensed up. He lifts his top lip, revealing his mouth guard which reads, "Violence."
The lights dim in the arena, and a countdown begins. The screen shows the numbers fading from 5 in between a Y and a J. The countdown stops at two, as a brilliant display of pyrotechnics explode from the stage, as Chris Jericho stands with his arms raised and outstretched. He turns around slowly, a smirk across his face. He walks down the ramp slowly, observing his opponent, looking for the best way to make him tap. He climbs up the stairs and onto the apron, facing the crowd, then getting into the ring. [glow=red,2,300]Submission Match[/glow]
-VS- Kurt Angle -VS- Chris Jericho The two men circle each other slowly, both men masters of submission. Jericho steps towards Angle, who gives Chris a sort of chop block. Kurt has one strategy: break the ankles. This is very obvious, especially as his next move is a drop toe hold. Chris Jericho gets back up, a series of strategies running through his mind. Jericho puts his hand up for a test of strength, his hand being met by Kurt. Kurt has his hand twisted, and Chris, using his free hand, begins punching away at Kurt.
Kurt loses the test of strength, and has that arm twisted, Jericho continuing to wring it. It seems that he wants to weaken every part of Kurt Angle. Angle finds an elbow in the back of his shoulder, nearly separating the taught arm from its socket. Angle fights back with a random punch, but it hits its mark. Jericho releases Angle’s arm, but Angle has very little time to rest. However, the Olympic Athlete doesn’t need it, he simply kicks Jericho in the stomach, then flips him onto his back.
Angle steps between Jericho’s legs and applies the sharpshooter. Jericho still has all the power he needs to pull himself and his opponent over to the ropes. Angle releases the hold, and quickly stomps on Jericho's neck. Angle pulls Jericho up only to be met by a hard right to the face. Angle slowly stumbles back as Jericho bounces off the ropes. Jericho leaps into the air and nails Kurt with a cross body. Jericho fires up and takes off running towards the ropes. He jumps onto the middle rope and moonsaults into the air. As he comes crashing down Angle miraculously moves. Jericho hits nothing but canvas and begins to hold his ribs.
Angle jumps up and locks his arms around Jericho's midsection. Kurt snatches Jericho up and squeezes with all his might. Jericho yells in pain. Angle suddenly lifts Jericho up and tosses him over his head for a release german suplex. Jericho flips into the air and somehow managaes to land on both feet.
As Angle turns around Jericho nails him with a drop kick. The fans begin to go wild for this awesome match as both men give it their all. Jericho pulls Angle to his feet and gives him a hard Irish whip. As Angle hits the ropes Jericho closelines him over the top.
Angle falls onto the apron as Jericho delivers a base ball slide dropkick. Angle flies off the apron and lands hard on the ground. In the ring Jericho lets out a yell and takes off running for the corner. He leaps into the air and jumps off the top turnbuckle to come crashing down on Angles aching body. Both men are down and the ref initiates the ten count."1.....2.....3.....4.....5.....6.....7"Jericho rolls in and breaks the count. Angle follows Jericho in and both men regain their poseur. Both men make it to their feet and begin to circle eachother. Jericho charges at Angle and headbutts him in the midsection. Angle stumbles backwards and Jericho snatches his legs out from under him. Jericho drags him to the center of the ring and turns him over to lock in the Walls of Jericho. The crowd erupts in cheers and boos as Jericho leans back applying more pressure to Angle. Angle is in shambles now but he doesn't give up. He continues on try and trying to break the hold. The ref is watching as close as he can. Jericho drags Angle a little closer to the ropes. The ref is at an awkward angle and cannot see that Jericho is holding onto the ropes. Angle is in so much pain that he can't stand it anymore.
Suddenly an eruption of cheers echos through the arena as Batista comes charging down the ramp. Jericho looks in shock but doesn't break the hold. Angle taps as Batista slides into the ring. Batista nails Jericho with rights and lefts. Jericho tries to fight back but he is no match for "The Animal". Batista nails Jericho in the gut with a knee and shoves him between his legs. Batista signals to the crowd with two thumbs down. He lifts Jericho into the air and suddenly drives him to the mat with a Batista Bomb. Jericho is now out cold as "The Animal" stands over his cold limp body. Batista calls for a mic and snatches it away from the ring announcer. He paces the ring and kneels down beside Jericho.Batista: Chris! I've had enough of you! I've put up with your ass for far too long.........we've got one last stop Chris.........the last stop is for you......because I'm challenging you, Chris! I'm challenging you to a career versus career match. This is the end all match between us Jericho and at One Last Stop..........your career will end in shambles!Batista slams down the microphone as his music echos through the arena. The crowd goes wild as Batista rolls out of the ring. Jericho slowly lifts his head and looks up the ramp at his worst nightmare........."The Animal".....Batista!
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Ryan Beyer
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There's Blood in the Water
Posts: 314
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Post by Ryan Beyer on Sept 9, 2006 18:41:09 GMT -5
"Are You Ready?" echoes through the arena as a soft familiar rhythm sounds out. Suddenly "Break It Down" blares through the speakers. The famous Degeneration X theme song blares through the arena as the Degenerate himself, Triple H comes through the curtain crotch chopping. He is dressed in his usual wrestling gear, but the logo on his trunks is green. He is wearing the trademark Degeneration X t-shirt and carries a bottle of water in one hand. The crowd reacts with cheers and boos as Triple H makes his way down the ramp. He spits burst of water into the air as he walks and crotch chops at the same time. As Triple H makes his way to ringside he climbs up on the steps. He then takes a drink of water and tosses the bottle into the sea of fans. He holds both arms up and begins crotch chopping while spitting a mist of water into the air.
Mercy Drive’s “Burn In My Light” shakes the arena as Randy Orton emerges from behind the curtain. He extends his arms, showing every muscle, as gold sparks begin to fall behind him. He has the same smirk as usual, confident in his abilities both in the ring and in bed. He slowly walks to the bottom of the ramp, then casually slides in, heading to one of the turnbuckles. He props himself up, raising his arms, then dropping back down to wait.
Once the infamous line from Davey Havok “Love your hate, your faith lost. You are now one of us.” hits, CM Punk makes his way out from behind the curtains. The crowd delivers a mixed reaction to Punk as well, as he stands at the top of the stage, taking sips of water from his water bottle. Punk pours some of the water over his head and throws the bottle into the crowd, as water drops fall from the tips of his Black hair. Punk then throws his arms in the air, making an X, as he begins to walk down the ramp. Once Punk reaches the bottom of the ramp, he puts his arms down and begins to walk around the ring. He slides in once the bell rings.[glow=red,2,300] The Main Event:[/glow] [glow=red,2,300] Number One Contender[/glow] -VS- -VS- Randy Orton -VS- Triple H -VS- CM PunkOrton is immediately attacked by Triple H, tackled and punched repeatedly. CM Punk sees this and leans over in the corner, watching them wear themselves out like children. Randy is pulled up, and Punk finds it time to start in the match. He dropkicks Triple H in the back, sending both of them into the corner. Punk pulls Triple H away from Orton, giving him a back body drop. Orton grabs Punk, kneeing him in the stomach. CM is given a few hard rights before he is clotheslined.
Triple H gets up, seeing Orton having beaten Punk down, and clotheslines Randy, causing him to fall. Triple H decides to work on CM Punk first, then deal with Orton. He lifts him to his feet, whipping him to the ropes. On the return trip, Punk jumps straight into Hunter, basically playing kamikaze with his body. Hunter falls, Punk springing back up, running to the ropes. He drops onto Triple H with an elbow drop, going for a quick pin. Randy breaks the pin at one, even though Triple H surely would’ve kicked out.
CM Punk is lifted by Randy, who gives him a very quick DDT. Triple H tries to sneak up on Orton, but is instead tripped, and kicked in the side. Orton now seems to be on top of the every changing pyramid. He kicks at Triple H a few times to keep him down, and lifts Punk up. Orton attempts a suplex, lifting Punk into the air, and dropping him onto his back. Triple H has just gotten up, and clotheslines Orton over the top rope, sending him spilling onto the floor.
CM Punk is lifted by Triple H, but Hunter quickly has the roles reversed after a few hard shots to the stomach. Punk smashes Triple H’s head into the turnbuckle, then gives him a hard clothesline, knocking him down. CM baseball slides into Orton, knocking him down outside. Triple H again becomes Punk’s main focus. Triple H is whipped into the corner, and lifted up to the top rope. Although the crowd predicts a Pepsi Plunge, they are wrong. CM Punk superplexes Triple H, sending him crashing on the mat.
CM Punk slowly gets up to attempt a pin, and does. One. . .two. . . Randy Orton breaks up the pin. He stomps at Punk with great force, then lifts him up. Randy drags Punk over to the ropes and begins to choke him with the ropes, the referee eventually breaking it up. Orton pulls at Punk’s feet, pulling him to the center of the ring. Giving him an elbow drop, Orton goes for a pin, but Punk kicks out at two. Triple H has been rolled out of the ring, and still lays unconscious.
Randy lifts CM Punk to his feet, running to the ropes. Punk ducks the clothesline, giving Orton a drop toe hold. CM capitalizes and gives Randy Orton a chinlock, then switches to a surfboard hold. Punk eventually lets go when he sees Triple H getting up. CM Punk dives through the second rope, taking Triple H down, then rolling him into the ring. Orton is slowly getting up, as well as Triple H, when both turn to see Punk on the top rope ready to lunge at both of them.
In an elongated leap, Punk takes both Orton and Triple H down with a cross-body. CM Punk decides to pin Triple H, one. . .two. . .Hunter barely kicks out. Randy gets up slowly to find CM Punk giving Triple H a body slam. After Punk drops the Game, Randy sneaks up behind Punk, attempting an RKO. Orton is pushed to the ropes, which he flings over, but hangs on, pulling himself back to the apron. Punk leaps over Triple H to knock Randy down to the floor.
Triple H is lifted to his feet, but instead of being knocked back down, he takes a few swings. Punk stumbles backwards, giving Triple H time to regain his composure. Then, Triple H rams him into the corner with great force. Hunter drags Punk’s eyes across the ropes, then whips him across the ring. Triple H stands waiting to give CM Punk a back-body drop, when Randy Orton runs up from behind and gives the Game the RKO. Orton however, does not notice Punk waiting for him to turn around.
Randy Orton turns around after getting up, and Punk sprints at him. CM Punk kicks at Orton’s leg, bringing him down to one knee. CM Punk bounces off the ropes on the other side of the ring, returning back to the ropes again, then finally, stepping onto Randy Orton’s raised knee to deliver a Shining Wizard. Punk crawls over to Orton for a pin, one. . .two. . .three! CM Punk is now facing Sting at The Last Stop. The camera shows CM Punk raising his hands above his head on the second turnbuckle before shifting over to the SNME logo. [/b] [/center]
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Post by Mr. Kennedy on Sept 9, 2006 22:04:05 GMT -5
wow... im new champ... so many people id like to thank...
not really!
im the man who's single handedly changing saturday nights, of course i would prevail in a time like this!
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Post by "The Viper" Randy Orton on Sept 9, 2006 22:40:49 GMT -5
Damn I lost, oh well.
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Punk
Superstar
[M:0]
This site deserves a better class of Champion...And I'm gonna give it to em'.
Posts: 612
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Post by Punk on Sept 10, 2006 2:36:04 GMT -5
wow... im new champ... so many people id like to thank... not really! im the man who's single handedly changing saturday nights, of course i would prevail in a time like this! Thank me...I helped you get alot better at your rps. I think... Anyways, I WON!!!!!!!! Sting,your days are numbered.Cause come "The Last Stop", that title,is coming home with me!
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Post by Paul Heyman & Sam X on Sept 10, 2006 8:12:54 GMT -5
Ryan, why was I asked not to write anything this week? Just wondering...
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Post by randy on Sept 10, 2006 20:46:00 GMT -5
beyer can I have a match next week I swear I wont let you down
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